The Official European Tango School.
Salzburg - Austria

Haunspergstraße 26, The Penthouse, Salzburg 5020 Austria + 43 650 306 6481

Our Staff




Maestro Carlos “El Tordo” Maturano & team.

Carlos E. Maturano (El Tordo)

Native of Buenos Aires, Argentina. European resident. Completely formed in the art of tango dance in Buenos Aires, Argentina

These personalities were my guides and artistic godfathers

  • Ben Molar
    Creator of the National Tango Day.
    Academic of the “National Tango Academy of the Argentine Republic”
    and the Academia Porteña del Lunfardo.
    Honorary President of the “Asociación Gardeliana Argentina”
    Founder Member of the “Casa Argentina en Tierra Santa”
    Board of Director´s Member of the Asociación Amigos de la Calle Corrientes.
  • Ms Carmencita Calderón
    Illustrious Citizen of the City of Buenos Aires; ex dance partner of Ovidio Bianchet “El Cachafaz”
  • Awards and Distinction
    Milonguero’s Medal of the “Sin Rumbo Club, The Tango Cathedral” of Buenos Aires.
    Presidence of the Nation’s Distinction.
    Director of tango and artistic activities at the “Casal Argentino de Barcelona”
    “Mailbox Knight Order”, Manoblanca Museum, Buenos Aires.
    Asociación de Bailarines de España (ABA)
    Auditorio Enrique Granados, Lleida, España.
    Teatro Broadway; Elba Cristian Producciones.

About my nickname “El tordo”

I was a very young boy and interested in the health, so that I began a workshop to be able to take the blood pressure. In the Milonga I had many friends to practise and little later already they were receiving me jockingly shouting ” take care, that the “tordo” (the “tor-do”) comes “, which in the slang of Buenos Aires, called Lunfardo, means “the doc-tor” Because usually they invert the order of the syllables in some expressions.

And already I could not separate of this funny epithet nevermore.





Vicepresident 1rst. Nac. Tango Academy, Mag. Heide Schmollgruber, director ofteaching staff

Heide Schmollgruber




Director Honorario

Ben Molar



Academic Member Panel
Functional Division “High Choreographic Arts”.

Cristina Uta

Cristina Uta

Cristina Uta

Cristina Uta






Juni 1993 – graduated the romanien National Ballet School in Bucharest Romania
1994-1995 –  one year study by the University of Dance and Choreography  in Bucharest
1999-2000 –  one year study by the University of Art and Religion in Bucharest
From September 2013 – studies Psychology at the Spiru Haret University in Bukarest

Aditional Studies and Practice:

Artistic and Sportiv Gymnastic, Martial Arts – Wushu,  Qigong  theory and practice, Yoga, Aura-Soma Color Therapy and Coaching Methode



Companies worked with as principal dancer:

1993-2001 Romanian National Opera Bucharest
1998-1999 Cincinnati Ballet Company (USA), Victoria Morgen
1999-2000 Ballet de Santiago (Chile), Ivan Nagy
European Youth Ballet I, II, III, Alexander Hoffmann Konzertdirektion Schlote
– from 2001Salzburg Ballet (Austria), Peter Breuer
– 2003 – 2009 working as well as ballet master, assistant of ballet director and assistant choreographer


Danced Repertory: (classical original choreographies)

Swan Lake – Odette/Odile
La Bayadère –  Nikia and Gamsaty
Paquita – Paquita
Don Quixote – Kitri and Mercedes
Giselle – Giselle and Myrtha
La Fille Mal Gardée – Lisa
Nutcracker – Clara
Raymonda – Raymonda
Romeo and Julia – Julia
Sleeping Beauty – Carabosse fairy
Jewels – Rubies,  Ch:George Balanchine

Danced Repertory:(neoclassical / modern)

Peer Gynt – Solveig,  Ch: Mihaela Atanasiu
Midsummer Night’s Dream – Hermia,  Ch: Mihaela Atanasiu
Carmen – Carmen,  Ch: Oleg Danovsky
Carmina Burana, Ch: Alexa Mesincescu
L’après-midi d’un faune, Ch: Alexa Mesincescu
Rites of Spring, Ch: Alexa Mesincescu,

La Dame aux Camélias, Marguérite,  Ch: Val Caniparoli
Il distratto,  Ch: Lew Christianson
Various choreographies,  Ch: Victoria Morgan
Con amore, Amazone – Queen,  Ch: Lew Christianson
Manfred Symphony – Astartea,  Ch: Ion Tugearu

Symphonie classique ,  Ch: Alexa Mesincescu
Kleines Spiel für 3 x 2,  Ch: Lode Devos
Passione,  Ch: Dietmar Seyffert
Verdiana,  Ch: Ricardo Nunez
Valse no. 6,  Ch: Ricardo Nunez


Salzburg Ballet

Un Tango de Amor – Nina,  Ch: Peter Breuer
Nutcracker – (Die letzte Liebe des E.T.A. Hoffmann) Olympia,  Ch: Peter Breuer

Four Seasons –  Demiurg,  Ch: Peter Breuer
Swan,  Ch: Peter Breuer

The Wall – Mother,  Ch: Peter Breuer

A Midsummer Night’s Dream – Titania  Ch: Peter Breuer

Bolero,  Ch: Peter Breuer
Carmen – Carmen,  Ch: Peter Breuer ( Maya Plissetskaya-Preis)
Othello, –  Emilia Ch: Peter Breuer

Tschaikowsky – Nadeschda von Meck/ Odette,  Ch: Peter Breuer

Lulu – Lulu,  Ch: Peter Breuer

The Taming of the Shrew – Katarina,   Ch: Peter Breuer

(Des Widerspenstigen Zähmung – Katharina Ch: Peter Breuer )

Angels – Maria,  Ch: Peter Breuer (mit Hubert von Goisern)

Mozart der Gottgeliebte –  Constanze,  Ch: Peter Breuer

Alkestis –  Alkestis,   Ch Peter Breuer

La Dame aux Camélias –  Marguérite, Ch: Cristina Uta

Sibelius Nordlichter – Nordlandherrin,   Ch. Peter Breuer

Heroes, various parts, Ch. Peter Breuer

The Legends of Joseph , lady Potiphar,  Ch. Peter Breuer

(Joseph Legende, Frau Potiphar)

Wiener Abend , Ch. Peter Breuer

Romeo and Juliet – Lady Capulet, Ch. Peter Breuer

Bach&Drums, Ch. Peter Breuer

Elements – the Air,  Ch. Peter Breuer

Marie-Antoinette – Madame du Barry,  Ch. Peter Breuer

Blues in Berg,  Ch. Peter Breuer

Rites of Spring,  Ch. Peter Breuer

Der Kuss / The Kiss –  Camille Claudel, Ch. Peter Breuer


State Opera Brasov Romania

La Dame aux Camélias – Marguérite, Ch: Cristina Uta


National Centre of Dance Bucharest  Romania

Seven Curses, the Spirit    Ch : Cristina Uta




Academic Member Panel. Functional Division  “Relations with the Republic of Italy”

Annarita Poliseno



Storozshenko Natalia-500x750

Academic Member Panel. Functional Division  “Relations with Eastern Europe

Natalya Storozhenko